Runaways, Vol. 1 Review: Brian K. Vaughan’s Teen Rebellion
Brian K. Vaughan's beloved "your parents are supervillains" teen saga.
Every superhero comic asks you to root for a chosen few. Runaways starts from the opposite premise: what if the people you trusted most turned out to be the monsters? Written by Brian K. Vaughan and drawn by Adrian Alphona, Runaways launched at Marvel in 2003 and quietly became one of the most beloved teen comics of its era. Volume 1, subtitled “Pride and Joy,” collects the first six issues and introduces a premise so clean it feels obvious in hindsight: six Los Angeles kids discover that their parents are a cabal of supervillains — and decide to run.
More than two decades later, it still reads fresh. This is our full review of Runaways, Vol. 1 — what it is, who it’s for, which edition to buy, and why it remains one of Marvel’s best on-ramps for readers who think they don’t like superhero comics.
What is Runaways?
Runaways is a creator-driven Marvel series written by Brian K. Vaughan — the same writer behind Y: The Last Man, Ex Machina, and later the indie juggernaut Saga — with art by Adrian Alphona. It debuted in 2003 as part of Marvel’s short-lived “Tsunami” imprint, aimed at younger, manga-influenced readers. Volume 1 collects the opening arc, roughly 140 pages, and works completely on its own with almost no prior Marvel knowledge required.
The hook is simple and irresistible. Once a year, six wealthy Los Angeles couples gather their families for a charity meeting. This year, their teenage children sneak a look at what the grown-ups are actually doing behind closed doors — and witness them murder a young woman as part of a dark ritual. The kids realise their parents are a secret criminal organisation called the Pride. Everything they thought they knew about their families, and about themselves, is a lie.
The story: your parents are supervillains
What elevates Runaways above a clever logline is how seriously it takes the emotional fallout. This is a book about betrayal on the most intimate scale imaginable. The kids can’t go to the police — their parents own the city. They can’t go home — home is a crime scene. So they do the only thing left: they run, and in running they start to discover that their parents’ powers and gadgets are, in some cases, their inheritance too.
Vaughan paces the first arc like a good thriller. Each issue peels back another layer of the Pride’s operation while deepening the friendships and frictions between the kids. There’s a mystery threaded through the whole volume — someone in the group may not be who they seem — and the answer reframes everything that came before. It’s the kind of first volume that rewards a second read.
Meet the Runaways
Few debut arcs assemble a cast this instantly likeable. The core team is a genuine ensemble, each member defined by both a power and a very human flaw.
- Alex Wilder — the strategist and unofficial leader, a gamer with no powers but a sharp tactical mind.
- Nico Minoru — daughter of dark wizards, who inherits the “Staff of One,” a spellcasting weapon with a strict one-spell-per-use rule.
- Karolina Dean — outwardly a perfect Californian teen, secretly an alien who can fly and project rainbow light.
- Gertrude “Gert” Yorkes — a sardonic, purple-haired activist telepathically bonded to a genetically engineered dinosaur she names Old Lace.
- Chase Stein — the reckless jock whose scientist parents built fire-throwing gauntlets and X-ray goggles.
- Molly Hayes — the youngest, an eleven-year-old mutant with super-strength and an endlessly quotable attitude.
The dynamite is in the mix: these aren’t friends who chose each other, they’re kids thrown together by catastrophe, and Vaughan mines the awkwardness for both comedy and real feeling.
The art: Adrian Alphona’s expressive line
Adrian Alphona’s artwork is a huge part of why the book endures. His figures are loose, cartoony, and deeply expressive — perfect for a story that lives on teenage body language, eye-rolls, and small betrayals. Alphona is unafraid to make his characters look genuinely young and awkward rather than airbrushed, and his design work on Old Lace and the Pride’s various lairs gives the book a distinct visual identity. Years later, Alphona’s style would light up Ms. Marvel; you can see the seeds of that warmth here.
Why it still matters
Runaways arrived at a moment when mainstream superhero comics were often accused of writing down to younger readers or ignoring them entirely. Vaughan did neither. He treated teenagers as complicated people, gave them a premise that spoke directly to adolescent feelings of alienation from adult authority, and refused to reset the status quo at the end. The book has real consequences, and it isn’t afraid to hurt its characters.
It also proved influential. The “found family of powered teens who distrust the establishment” template turns up everywhere now, and Runaways is one of its cleanest early examples. If you love shows built on that energy, the DNA traces back to books like this one.
Content notes
Runaways is broadly teen-appropriate and considerably gentler than Vaughan’s adult work, but it isn’t for small children. The opening ritual murder is genuinely dark, there’s peril throughout, and the emotional themes — parental betrayal, grief, a first-issue death — carry weight. We’d put it comfortably in the young-adult range: great for confident middle-grade readers and up.
Pros and cons
Pros
- A killer premise executed with real emotional honesty
- A diverse, instantly likeable ensemble cast
- Self-contained — almost no Marvel homework required
- Adrian Alphona’s warm, expressive artwork
Cons
- Early-2000s art and slang show their age a little
- Ends mid-story; you’ll want Volume 2 right away
- The digest format prints the art quite small
How Runaways compares to other teen and starter comics
If you’re weighing Runaways against the other books we hand to newcomers, here’s the honest lay of the land.
| Book | Best for | Length (Vol. 1) | Approx. price | Age range |
|---|---|---|---|---|
| Runaways, Vol. 1 | Teen found-family drama | ~140 pp | ~US$12 | Teen+ |
| Ms. Marvel, Vol. 1 | Coming-of-age superheroics | ~120 pp | ~US$16 | Teen+ |
| Saga, Vol. 1 | Adult space opera | ~160 pp | ~US$10 | Adult |
| Spider-Man: Blue | Classic Marvel romance | ~144 pp | ~US$18 | All ages |
For the wider picture, see our roundup of the best Marvel graphic novels and, if you want the same writer at his most ambitious, our Saga, Vol. 1 review.
Which edition should you buy?
Runaways has been reprinted many times, and the options range from a cheap first taste to a coffee-table brick. Note that Marvel originally published the series in small manga-sized “digest” volumes; if you want the art printed larger, aim for the Complete Collection or Deluxe hardcovers instead.
| Edition | Collects | Approx. price | Best for |
|---|---|---|---|
| Vol. 1: Pride and Joy (digest) | Issues #1–6 | ~US$12 | Trying it out |
| Complete Collection, Vol. 1 | Issues #1–18 | ~US$35 | The whole Vaughan run, value pick |
| Deluxe hardcover, Book One | Issues #1–18 | ~US$40 | Larger art on good paper |
| Omnibus | Vaughan’s complete run | ~US$100+ | Collectors and binge readers |
Our pick for most readers is the Complete Collection, Vol. 1: it gathers Vaughan and Alphona’s entire first stretch (through the end of the first ongoing series’ opening chapters) for close to the price of two digests, and it prints the art at a comfortable size.
AmazonCheck price on AmazonWhere it fits in Marvel reading
One of the joys of Runaways is that you can read it in almost total isolation. It occasionally nods to the wider Marvel Universe — a Marvel superteam cameo turns up later in the run — but Volume 1 asks nothing of you. That makes it a fantastic entry point. If you’d like a broader map of where to begin with the House of Ideas, our Marvel reading order for beginners lays out a stress-free path, and the Marvel hub collects our reviews and guides in one place.
The verdict
Runaways, Vol. 1 is the rare superhero comic that a lapsed reader, a manga fan, or a total newcomer can pick up cold and finish in one sitting with a grin. It’s funny, it’s genuinely surprising, and it treats its young characters with a seriousness the genre too often reserves for adults. It’s an easy recommendation and a permanent fixture on our best comics for beginners list. Start with the digest if you’re cautious, but do yourself a favour and grab the Complete Collection — you’re going to keep reading.
Frequently asked questions
Do I need to know Marvel continuity to read Runaways?
No. Volume 1 is almost entirely self-contained and introduces every character from scratch. It’s one of the most beginner-friendly books Marvel publishes, which is exactly why we recommend it so often.
Is Runaways appropriate for kids?
It’s aimed at teens and up. The tone is largely fun and character-driven, but the opening involves a ritual murder and the series deals with parental betrayal and loss, so we’d steer it toward confident older middle-graders rather than young children.
How does the comic relate to the Hulu TV show?
Hulu adapted Runaways into a live-action series that ran for three seasons from 2017 to 2019. It keeps the core cast and premise but makes significant changes, so the comic and the show tell noticeably different versions of the story.
What should I read after Volume 1?
Continue with Vaughan and Alphona’s run through the Complete Collection, then Joss Whedon’s follow-up arc. If you loved Vaughan’s voice, jump straight to our Saga review or browse the best graphic novels of all time.